Pricing Artwork doesn’t have to be magic: How do I Price My Artwork?

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“How much should I sell my art for?” 

Too often, I find that artists asking that question don’t have a good sense of what their work is worth and are vastly undervaluing their art. 

Case in point: I have a client who was recently offered a commission for $2,000. It sounded great on the surface, but when we dug into the details, we realized the project would run six weeks and prevent the client from doing any other work. Projecting out based on that one project, this artist would make less than $18,000/year. Basically minimum wage. 

Your work is worth more than that, isn’t it? I certainly hope you believe it is. 

So how should you price your art? 

 

Subjective vs. Objective Pricing

Artists frequently price their work subjectively, meaning they give it a price based on what they think its value is. But price and value are two different things. 

Value is what an artwork is worth to somebody. It’s subjective because many factors go into the value of an artwork, such as the owner’s sentiment towards it, rarity, age, etc. When we say something has a “market value,” that’s basically what a piece could get in a market. But that doesn’t always mean it’s what someone is willing to pay. 

Price, on the other hand, is objective. Or at least it’s based on some objective measures. Price is a function of supply and demand (I know…economics terms always make me groan, too). As an artist, you control the supply of your artwork and you can influence the demand (see blog post: art marketing plan). 

 

How to Price Your Art

Luckily, there’s a relatively simple way to price your art (the objective part), though it does require a little bit of math.

(Good accounting can help you with this part)

First, you need to consider what the cost of your supplies are. That includes all the items you need to make your art (tools, materials, etc.) but it also includes things like your rent for your studio, electricity and heating costs, etc. Basically, anything that you need to create your work should be included. This is where tracking your finances comes in handy. 

Secondly, you need to figure out your hourly rate. Even though we don’t like to think of ourselves as hourly workers, this is an essential step to coming up with a fair market price for your work. To calculate this, consider what you would like to make annually before taxes. For the sake of simplicity, let’s just say $52,000/year. 

To calculate your hourly rate, you need to divide the annual salary by the number of hours you work each week. First, divide your annual salary by 52 (there are 52 weeks in the year), and then divide that number by the number of hours you work. For argument’s sake, let’s say 40, since that’s the standard for full-time work. Here’s what that looks like:

$52,000/52 weeks = $1,000 per week

$1000 per week/40 hours = $25/hour

That’s your hourly rate. Now, consider how long it takes you to complete a single piece of art. Let’s say something took you five hours to finish. 

5 x $25/hour = $125

But that doesn’t account for things like supplies. Let’s say it costs you $50 in supplies to make a particular piece. Thus, your total cost would be $175 (your labor and supplies). It’s important to note that this should be considered the base price. Don’t forget you have to add in other factors like a portion of your studio rent, insurance, marketing costs and other overhead items. The price needs to be closer to $300 (labor + supplies + overhead)

Ultimately, how you price your work should be a combination of objective (the real costs like labor, supplies and overhead)  and subjective (the desirability, rarity and non-measurable things) approaches. It should meet your bare minimum of what you need to make to sustain yourself as an artist, of course, AND you can also take into consideration how others feel about your art.  The good news is, that could be a whole lot more than you think!

If pricing still feels a bit overwhelming, don’t worry. It takes time to figure out your numbers. It can also be helpful to have someone to talk to about it. Feel free to reach out for a chat if you want more space to think out loud with someone. 

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How to sell your artwork: Know Your Value

 

Cute English Bulldog in Hat

Charlie is more than a dog. She is constant love and creator of joy.

 

People ask regularly how I ended up in the arts with my background from rural Minnesota and two engineering degrees. I will spare the details of the journey for another post, but my vocation in the arts is due to my recognition that art is the most valuable creation of humankind. 

 

Art is hoarded by people in positions of influence across history and frankly, it is what endures from every civilization. As much as we revere science and technology today, they will always be a part of the process, never the destination. 1000 years from today our data and the findings gleaned will make us look like flatearthers and I have no doubt the iPhone 12 will overwhelmingly end up in the heap of refuse.

 

What is it about art that makes it so valuable?

 

To the creators, their artwork is an opportunity to be fully seen. Art is the tool we use to express ourselves. It brings the deepest parts of our being into the world. The word on paper, the paint on canvas, the harmony of stroked keys, the movement through space and the images captured on film are the manifestations of our thinking, our feeling and our intuitions. The work we create is the essence of who we are. It allows us to understand ourselves and just as important it allows others to understand us as well.

 

To other individuals, artwork is an opportunity to also be seen as well as expand the resources that are available to them. An artist allows their audience to say things that they could never put into words themselves. But more powerfully, the artist and their work allows the audience to think, to feel, and to sense the world in ways beyond their own faculties. Artworks allow the audience to gain knowledge, to build new relationships and to navigate the world in new ways. Through art, the audience is able to open up new opportunities.

 

When the audience becomes more than another individual the artwork is amplified. Society operating with a collective idea, feeling or sensation is a powerful tool for world changing activity. Art is often the catalyst that bends the universe towards love, justice and all the good things we aspire to. And yes, I should note it can also be used for detriment in the wrong hands.

 

Art has incredible power, for the creator, the audience and society and as such it is incredibly valuable! 

 

My vocation is to help artists harness the value of their artwork so they can impact the world, and simultaneously help the audience harness the power of art to enrich their own lives and the world around them.

 

THIS IS THE FIRST PART IN A MULTIPART SERIES ON SELLING ART

Uncertain Musings: Where do you stand?

The Current State of our Home, March 2020

Peace is awareness without fear.

It comes from knowing what you can control and acting; while also knowing what you do not control and letting go.

The turning points in our life happen when we understand how little we control but how powerful those few things can be.

OR we recognize that something we thought was within our means is truly not.

It is precisely times where everything swirls in chaos that we have incredible opportunities to redefine ourselves. These moments, or periods, force us to question what we are about and what we can actually do to accomplish those goals. 

And if it is a chaos that is impacting the world beyond our mind, there is a good chance that everything is being questioned.

There will be a new normal once everything settles down and you are not beholden to who you might have been prior to the tumult consuming society.

Do you know where you will stand when the world continues?

Do you know upon what you will stand when the earth finds its equilibrium?

Mental Prowess Part 3: Alchemy of Turning Mistakes into Knowledge

Check point three was 45 miles into my Shenandoah Mountain 100 ride. It is located at the base of a downhill run that rides like a wooden roller coaster: tight turns, stomach altering elevation changes, and near misses of low hanging tree limbs. The descent was several miles of thrills that set the mind racing with norepinephrine and gave me a sense that I can walk on water. I felt great rolling into the stop! I took very little time to eat and refill my water and felt like the remaining 55 miles were mine.

Things turned quickly in the next section of the ride.

The course to check point four starts with several miles of flat highway riding. It can be a spot to pick up ground and I thought that was what I was doing when I put my head down to draft off of a guy passing me. We took turns pulling to the trail head. The pace was high and I kept some of the steam up into the notoriously technical climb in the woods. Eventually I succumbed to the grade, the roots, the rocks and my rising heart rate. I hiked a good portion of the final ascent, but alas the summit came.

I took a breath, took in the view and giddily I mounted my metal stead.

Something was wrong. I could not maintain my line on the single track. I found myself off course and unable to sustain any meaningful speed. Each root and rock sent a shock wave through my bike and into my body. After a miserable few miles of down hill, I slow pedaled the final mile of flat into checkpoint four. A volunteer made eye contact and asked if I was alright. I was not alright. I tried to avoid verbally acknowledging the anguish but my body would not hide the truth. She persisted and brought me food, filled my camel bak and made sure the mechanic lubed my chain.

I did not know if the next 18 miles to checkpoint five were possible, let alone the remaining 43 to the finish.

There is a good chance the over exertion on the highway clouded my thinking. I did not listen to the cues of my body, or even the voice in my head, until I started THE DESCENT of the day 20 miles later. Several hundred meters into what should have been my entrance to euphoria, I encountered the same sensations of the previous down hill. This time I stopped. I decided to check my machine and behold I found the problem! My suspension was locked out by mud. I spent a few moments cleaning and working the parts and got my bike operating much better. I remounted and proceeded to find a state of flow far beyond my typical daily existence!

Processing the experience allows me to see a lesson I can take into life beyond the saddle. Your brain and your body are finely tuned machines, particularly if you have done your homework or practiced. They can provide you with incredible information that you just need to pay attention to. I rode 20 plus miles on faulty equipment. It cost me time, it cost me energy, it could have lead to a DNF and it could have damaged my nearly-new-shamefully-expensive bike.

 

Space to think turns mistakes into the gold of knowledge!

Mental Prowess Part 2: Joy is an Energy Pool

Joy in an image

Shenandoah Joy William Ward [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)]

I am reading Tribe of Mentors. The concept for the book is quite simple. Well known life guru Tim Ferriss decided there are a large number of people he wants to get to know better. To do so, he made a unique proposition to highly successful folks within and slightly beyond his network.

I, Tim Ferriss, am publishing my next book and I want to include you in the book, all you have to do is answer these questions.

Being published in a book with a widely read author is a pretty valuable proposition for just about any one. Needless to say he elicited responses from incredible people.

There are a few themes that show up consistently throughout the dozens of responses from highly accomplished individuals: fitness and meditation.

It is not surprising to see these things prioritized for folks. But if you think about it, for many of the respondents neither is “billable” nor directly contributes to their work.

Why are they valuable; so much so, that one would taut them in writing in a very public way.

Fitness and meditation are spaces to think! This post and the following three; is my take on what makes mental liberation so valuable.

Joy
In mountain biking you often see sights that are only accessible by trail and therefore cut off to many viewers. Please keep this a secret, but the western edge of the Shenandoah Valley is gorgeous! There are hues of blues you can only imagine, a rainbow of wild flowers popping on the horizon, and expansive mountain vistas. My Shenandoah Mountain 100 ride this year also packaged some magic.
Hours of rain the night before created less desirable traction conditions but also produced fantastical atmosphere. As I gained elevation I literally began to float among the clouds. As I maintained a pedal cadence, I could feel the beat of my heart radiating through my body, and the air was hazy making my view of trees and other riders seem to be apparitions. The trance like state put me in new dimensions of euphoria!

Processing the experience allows me to hold onto this blissful moment. It will linger in my mind as a pool of beauty to tap into when I need to be reminded of what is wonderful in this world! I have expanded an internal source of energy that no one can remove from me and is available at any time. Space to think allows momentary happiness to turn into life-long joy.

Mental Prowess Part 1: Stop and Think, you don’t have time not to

Post 100 miles and 13,000 feet of climbing

On Sunday September 1st 2019 I got beat up.

It was my fault. A series of decisions, and probably my biology, put me in the position to be in immense pain that day.

I completed the Shenandoah 100, an ultra-endurance backwoods bike race in the mountains of Virginia. The experience was taxing on my body. My quads were quaking, my forearms were on fire, and my body was bruised. Twelve hours of physical exertion is a lot to endure.

I thought I planned my recovery week accordingly. I allowed myself to step out of my rigorous workout routine and planned to refrain from general physical activity. My body rebounded quickly. The following day I was achy but was not debilitated by pain. On the second day, I returned to my bike to commute to meetings and by the fourth day I was back in the gym.

However I had not recovered.

I neglected to consider the mental aspects of regaining normalcy.

I planed to proceed through my typical professional week. I maintained my usual load of meetings, I had a major event on the books, and the calendar had a launch date for a significant project. My mind needed to be incredibly active to accomplish the load.

I unknowingly did not create space to process the experience.

A critical part of endurance athletics, or doing anything hard in life, and quite possibly the true challenge, is the mental aspect. It takes a tremendous amount of will power to push through extreme activity. There comes a point where you are bored of having done the same thing for extended duration of time. You just have to keep going. There comes a point where irritation hits your awareness. You just have to keep going. There comes a point where you feel the pain. You just have to keep going. There comes a point where you ask why am I doing this. You just have to keep going.

To accomplish the big and challenging things in life you have to override your brain.

Mental prowess is developed through such exercises. This self induced trauma creates frameworks to see things differently. This new perspective is where you will find power to leap over personal and professional hurdles.

So what happened on my ride that I needed to get out and what value might doing so provide?